Signed in as:
filler@godaddy.com
Signed in as:
filler@godaddy.com
Who Is This Workshop For?
This workshop is designed for artists who want to deepen their understanding of still life painting and strengthen their technical and visual decision-making.
It is ideal for:
• Intermediate painters looking to refine their skills
• Advanced students wanting to push their still life work further
• Artists interested in improving composition and visual storytelling
• Painters who want to better understand color relationships, edges, and glazing techniques
• Anyone interested in exploring the poetic potential of everyday objects through painting
Students should have some basic experience with drawing and painting, as this is an intensive studio-focused workshop.
What Students Will Gain
By the end of the workshop, students will have:
• A deeper understanding of still life composition
• Practical tools to design strong and engaging setups
• Knowledge of Notan and how to simplify value relationships
• A stronger approach to color harmony and temperature
• Greater control over edges and paint handling
• Experience with glazing techniques for luminosity
• A completed still life painting developed throughout the week
More importantly, students will leave with a clearer visual language and a stronger ability to translate observation into expressive painting.
Daily Structure
Day 1 — Seeing the Composition
We begin with a short lecture on the principles of compelling still life painting: composition, visual hierarchy, balance, and how artists throughout history have used vessels as powerful pictorial elements.
Students will learn how to design a successful setup and how to simplify complex visual information.
Activities include:
• Lecture on still life composition and visual structure
• Introduction to the Notan concept (light vs. dark design)
• Creating a Notan study to simplify value relationships
• Small color study to explore palette and temperature
• explaining sight size method that will use to draw the composition.
This day builds the visual foundation for the entire painting.
Day 2 — Drawing & Block-In
Students will begin the final painting.
Focus will be placed on:
• Accurate drawing and proportion
• Establishing the large shapes
• Blocking in the main color and value masses
• Understanding the geometry and structure of vessels
• Simplifying forms before developing detail
• Painting everything in browns
By the end of the day, students will have a strong structural foundation on their canvas.
Day 3 — Developing Form
On the third day we deepen the painting process.
Students will work on:
• Building form through light and shadow
• Strengthening value relationships
• Color mixing and subtle temperature shifts
• Creating volume and solidity in the vessels
• Developing the interaction between objects and background
The goal is to move from flat shapes into convincing form and atmosphere.
Day 4 — Refinement & Edges
This day focuses on refinement and painterly control.
Students will learn:
• Edge variety (soft, firm, and lost edges)
• How edges guide the viewer’s eye
• Refining color relationships
• Enhancing depth and spatial clarity
• Adjusting composition for stronger visual impact
Paintings begin to gain clarity, elegance, and presence.
Day 5 — Glazing & Final Touches
The final day is about bringing the painting to its full potential.
Topics include:
• Glazing techniques for depth and luminosity
• Enhancing color harmony
• Final edge adjustments
• Highlight placement and focal points
• Evaluating and finishing a painting with confidence
We conclude the workshop with a group discussion and feedback session.
Students leave with a completed still life painting and a deeper understanding of how to design and paint compelling still life compositions.


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